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City of Words : Reading Log

7/18/2001
Life : A User's Manual by Georges Perec

Georges Perec constructed Life : A User's Manual in accord with a simple set of principles. Perec allowed these principles to trump the normal "laws" of how a novel should be constructed, and, in true Oulipan fashion, following the rules resulted in a novel which is utterly unique.

The subject of the novel is a block of flats in Paris. Perec organizes the book around the floorplan of the building: he moves from room to room, describing the furnishings and the decor. With an eye for ever-smaller details, Perec shows us how the ordinary space of an apartment teems with an almost overwhelming complexity.

As we tour the building, we begin to encounter the inhabitants, from the eccentric millionaire Bartlebooth to the master puzzlemaker Gaspard Winkler, and as Perec folds them into the narrative, he also regales us with stories from their past. He shares dozens of tales of every conceivable stripe: murder mysteries, fabulist yarns, stories of love and courtship. In this regard, Life: A User's Manual evokes Invisible Cities, another Oulipan novel, by Perec's friend and colleague Italo Calvino. In Invisible Cities, Calvino creates a series of cities that seem to contain everything in the whole world: here Perec goes one further, managing to pack the entire world down to the size of a single apartment building.

The book is obsessed with puzzles of every variety, and the hidden rules which govern the construction of the book cause it to serve as a formidable puzzle in its own right. I won't spoil the pleasures to be found here by explaining further.

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7/4/2001

Anil's Ghost by Michael Ondaatje

This is Michael Ondaatje's most linear and most political book, but that doesn't make it a linear political novel. This book is structured around a series of vivid episodes told in lyrical prose — although the lyricism is more restrained here than in his other novels, and sometimes the episodes seem just slightly canned, as though Ondaatje is imitating his own style. This may just be a result of the reemergence of the familiar Ondaatje themes and imagery — obscure books, ruins, bodily sensuality, the lure of the anonymous. All rich themes, to be sure, tempered here with increased sobriety, perhaps as a result of Ondaatje's increased attention to political violence.


The book examines the recent strife in Sri Lanka, and its repercussions on everyday people. A civil war among multiple factions, the Sri Lankan conflict is a representative example of the face of modern warfare, something most of us in North America have little direct experience with. This energizes the book, as does the book's character as a modern detective story (forensics), but its plot still seems to stall out in places — the importance of the skeleton's identity is never quite established in the reader's mind once and for all. Ondaatje is a great writer, one of the best currently working, and he's at the top of his game, and this book truthfully is enjoyable, important, and often powerful; if it disappoints it does so only by virtue of not being a masterpiece.

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